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music
Books & Arts
In the Boulangerie
Andrew Ford
9 December 2020
Music
| Dynasties, traditions and the trailblazing teacher-performer Nadia Boulanger
From the archive
The sorrows of young Joni
Andrew Ford
19 November 2020
Music
| A new set of early recordings reveals again a singer-songwriter in a class of her own
Books & Arts
Captive keyboard
Andrew Ford
4 October 2020
Music
| Mahan Esfahani wants to rescue the harpsichord from history
Books & Arts
The sun also rises
Andrew Ford
9 September 2020
Music
| Zelig-like, sitarist Ravi Shankar became a global celebrity
Books & Arts
Collapsing Britten’s triangle
Andrew Ford
14 August 2020
Music
| Composer, performer, listener: is the distinction always an easy one?
Summer season
Are we there yet?
Andrew Ford
3 July 2020
Music
| Bob Dylan’s new album settles the debate triggered by his Nobel Prize
Books & Arts
God bless America
Andrew Ford
5 June 2020
One country, two very different songs
Books & Arts
The new chamber music
Andrew Ford
20 May 2020
Music
| What happens when the composer can really
see
the audience?
Books & Arts
Crisis with no soundtrack
Andrew Ford
25 April 2020
Music
| Why has Australia been so much less generous to locked-down artists than Britain or Germany?
Books & Arts
Listening to the news
Andrew Ford
14 April 2020
Music
| What happens when a composer becomes a reporter?
Books & Arts
Why Beethoven?
Andrew Ford
12 March 2020
Music
| The first modern composer celebrates his 250th birthday
Books & Arts
Genre bending
Andrew Ford
20 February 2020
Music
|
Marriage Story
takes film music into new territory
Books & Arts
Johnny Cash’s comma
Andrew Ford
4 December 2019
Music
| Late-career singers can do what young singers can’t
Books & Arts
The music in people’s lives
Andrew Ford
11 November 2019
Music
| Most performances are by amateur musicians, and that’s no bad thing
Summer season
Give our regards to Broadway
Andrew Ford
18 October 2019
Urban romance was the hallmark of a great songwriting era
Books & Arts
Roger Smalley’s fingerprints
Andrew Ford
9 September 2019
Music
| Spanning fifty years, the English-born composer’s diverse output features on two new recordings
Books & Arts
Un cabaret supérieur
Andrew Ford
9 April 2019
Music
| Is there a contradiction between Robyn Archer’s stature as a thinker and her sometimes playful performances?
Recovered Lives
“Just hear the birds from Bendigo”
Nicole McLennan
8 March 2019
Lili Sharp (1876–1964), singer
Books & Arts
Music’s peripatetic polymath
Andrew Ford
4 March 2019
Music
| Conductor, pianist and composer André Previn did many things rather well
Books & Arts
A servant of the music
Andrew Ford
11 February 2019
Music
| A tribute to the fearless English-born tenor Gerald English, who’d lived in Australia since 1977
From the archive
Trusting the music
Andrew Ford
10 January 2019
Judy Bailey’s long and distinguished career has contributed to an explosion in Australian jazz talent
Books & Arts
The dance of God
Andrew Ford
7 December 2018
Music
| Dance metres and rhythms are everywhere in the music of Bach
Books & Arts
Saving Wagner from himself
Janna Thompson
23 November 2018
Opera Australia’s production deftly undercut the dark side of one of the composer’s best-known works
Books & Arts
Welcome to my anxiety
Andrew Ford
2 November 2018
Music
| The composition was in on time, but was it any good?
Books & Arts
The prolific old age of Elliott Carter
Andrew Ford
5 October 2018
Music
| The composer’s ninetieth year was effectively the midpoint of a long career
Books & Arts
Trusting Aretha
Andrew Ford
10 September 2018
What made Aretha Franklin’s voice so compelling?
Books & Arts
Where I came in
Kerry Ryan
21 August 2018
He might not have played
Hurricane
, but Bob Dylan was in fine form in Melbourne
Books & Arts
A question of style
Andrew Ford
20 August 2018
Music
| What makes someone a “conservative” composer?
Books & Arts
Magic numbers
Andrew Ford
10 July 2018
Music
| Composer Sally Greenaway’s career has followed a remarkable trajectory
Books & Arts
Strange worlds
Andrew Ford
12 June 2018
Music
| The longer we listen to the music of Gavin Bryars and Brian Ferneyhough, the more we recognise
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